Over the past couple of years, I’ve been slowly integrating fiber techniques into my painting practice—beads, string, textile remnants, embroidery, and other tactile elements that exist somewhere between surface and structure. Here's why:

A visit from an art critic provided me with feedback. Here, I share what was said and how I incorporate feedback into my work.

Settling into my new studio at Kordin, balancing work and life, refining my art, and embracing research for a fresh creative approach.

When 2024 was so good in art, how can 2025 be a continuation of the momentum that was built? Here are some goals for the year ahead:

How to support artists in different ways that make a big impact. A practical guide